CULTURAL GLOBALIZATION
 
 

Our Program Cultural Globalization aims at supporting research and cultural expression which discuss and reflect the effects of globalization on cultural expression and cultural diversity. It looks for authentic answers to the issues raised by the processes of globalization, and approaches that can empower people to shape these processes in a self-determined way.

 
TEXTS
Abbas Beydoun

A Discourse on Difficult Identities

Iliya Harik Violence, Cultural Identity, and Negotiated Diversity
Jochen Hippler An Elephant by the Name of Monica
Joelle Khoury Time Goes One Way - Against the Classification of Art
Anton Pelinka On the Pitfalls of Multiculturalism
Dieter Senghaas Modernity and Anti-Modernity Facing Cultural Globalization
Georges Tarabichi Arab Intellectuals and the Discounts of Globalization
EVENTS

The Maghreb Connection
Movements of Life across North Africa

Cairo, December 11, 2006 – January 13, 2007

Exhibition, conference and publication focusing on the Maghreb countries as spaces of transition for African migrants on their way to Europe. Curated and presented by Swiss documentary filmer and video artist Ursula Biemann at the Townhouse Gallery.

 

Face à Face - Encounters with Lebanon
Munich, November 2-5, 2006

Week with  films screening, performance and lectures by Lebanese directors and artists. Organized by Offene Akademie / Münchner Volkshochschule.

 

Transcultural Iconography
Towards an Understanding of Images in Globalized Communication - Rabat, 28-29/10/2006

Congress in the framework of the Living Globality exchange program for culture journalists from the Arab world and Germany, in cooperation with the Goethe Institute Rabat.

Download the congress program

 
Travelling Traditions: Comparative Perspectives on Near Eastern Literatures  Beirut, 02-13/10/2006

International Summer Academy organized by the Institute for Advanced Studies in Berlin in cooperation with the Anis Makdisi Program in Literature at the American University of Beirut

 

Download Summer Academy Program

 
"Most Probably I Will Be Performing This Dream Tonight"
Beirut, 18-19/05/2006

Lecture, video installation, multimedia performance, publication, film screenings organized by the Lebanese Association for Plastic Arts Ashkal Alwan.

 

Negotiating Diversity: Challenges to
Cultural Expression and Policies in the Corporate Era
  
Beirut, 11-13/05/2006

Conference to explore the relevance of the concept "cultural diversity" for the Arab World in the context of the 2005 UNESCO Convention on Cultural Diversity. Inaugurated and accompanied by the photo exhibit "Algeria bizzef" by Randa Shaath (May 11-26).

Download conference program

 

Travelling is Impossible: Harun, Kodwo and I
Beirut, 23-26 March, 2006

Four-day program of film screenings and discussions featuring the work of German film director Harun Farocki and the work of the British Black Audio Film Collective presented by the British cultural theorist and journalist Kodwo Eshun. Organized by the Lebanese Association for Plastic Arts Ashkal Alwan.

 

Well Played - Arab-Iranian Film Week

Berlin, January 31 - February 5, 2006

Week of Documentaries, Short and Feature films from the Maghreb, the Middle East and Iran, rounded up by a workshop on the conditions of film and cinema in the region. Organized in cooperation with the cinema Filmtheater Hackesche Hِfe and the Lebanese media cooperative Beirut DC.

Read a Summary of the festival program.

 

HOME WORKS III (Beirut, 17-24/11/2005)

International Cultural Forum for the Re-Discovery and Evaluation of Cultural History and Tradition organized by the Lebanese Association for Plastic Arts Ashkal Alwan.

 

Freedom of Expression in Music
(Beirut, 06-08/10/2005)

Conference on Music and Censorship in the Middle East in cooperation with Freemuse and Irab Association for Arabic Music; with the participation of musicians from the region and a life performance by Palestinian musicians Ahmad Al-Khatib and Nasser Salameh.

 

IDENTITIES VERSUS GLOBALIZATION?
Cycle of Art Exhibitons, International Workshops and Conferences designed to address and illuminate the cultural dimensions of globalisation processes.

 

IDENTITIES VERSUS GLOBALIZATION?
- Positions of Contemporary South East Asian Art
After showing in Chiang Mai and Bangkok / Thailand, the exhibition was presented at Museum für Vِlkerkunde Berlin/Germany

Artwork by Tiffany Chung

Visit the Exhibition Online

   
International Conference
"IDENTITIES VERSUS GLOBALIZATION?"
Cultural and Political-Cultural Dimensions of Globalizations
Berlin, January 20-22, 2005

Download Conference Agenda

 

International Workshop
ASIAN MODERNITY
Globalisation Processes and Their Cultural and Political Localisation
Berlin, July 6, 2004

 Download Workshop Documentation

 
Conference
DEBATING THE POLITICS OF CULTURE, IDENTITY
AND GLOBALIZATION

Chiang Mai/Thailand, February 7-8, 2004

Download Conference Agenda

 

ici et maintenant

Photo exhibition by Gilbert Hage
Berlin, 20-22/01/2005

Originally arranged for the occasion of the opening of the Middle East Office on 3/11/2004, this exhibition was presented in Berlin during the international conference "Identity vs. Globalization?" organized by the main office of hbf.

PARTNERS

Ashkal Alwan

 

Ashkal Alwan is an association that promotes a critical intellectual assessment social, political and cultural contexts, as well as intra- and intercultural dialogue.
Ashkal Alwan has been founded 12 years ago with the aim to support creative alternatives to stagnation and paralysis produced by a sociopolitical environment which is marked by perpetual instability, disorientation and turmoil. Ashkal Alwan especially focuses its efforts on the promotion of practices and activities that do not only reflect on social, political and cultural realities, but also play an active part in shaping public experience and thinking:

  • to promote diversity of voices and openness to other societies through intra-cultural and intercultural dialogue;

  • to encourage critical theoretical reflection as well as involvement of the public on contemporary social, political and cultural realities of the Middle East and its relations to the international environment (including socio-political-cultural freedoms, democracy, nationalism, violence, individualism, modernity, rationalist scientific processes such as genetic engineering, globalization);

  • to support young, innovative and experimental actors with an independent infrastructure of spaces and resources to present their work and to exchange with others.


Target Groups

The target groups of Ashkal Alwan’s activities include intellectuals, writers, cultural practitioners, academics, students, researchers, journalists, and curators. For those groups, Ashkal Alwan functions as a research and networking center and assists intellectual and cultural practitioners in producing and exposing their work (including publications) and in connecting them among each other and with international contacts. In particular, Ashkal Alwan implements and promotes the public forum entitled “Homeworks: A Forum on Cultural Practices” every year and a half. Homeworks is a multidisciplinary, international forum which brings together intellectuals and cultural practitioners for a week-long schedule of events to Beirut (including discussion panels, lectures, readings, exhibitions, film-screenings, and performances). Additional activities include retrospectives and screenings of films as well as exhibitions and publications tackling social and political issues, combined with public discussions.In 2007, Ashkal Alwan will organize the fourth edition of the “Home Works” cultural forum, exploring the dangers of political and artistic alienation, and in particular limits to expression created by internalized and normalized taboos and inhibitions. Furthermore, Ashkal Alwan will support the publication of a research project exploring divergent narratives on Lebanese history conducted by the Lebanese intellectual Fadi Taufiq and support the young Lebanese artist Zeina Maasiri’s work dedicated to the political esthetics of propaganda material throughout the Lebanese Civil war.


Website: http://www.ashkalalwan.org/

 

Zawaya

 

Zawaya is a periodical publication on alternative and emerging cultural production in the Arab world. While it is produced in Beirut, its contributors, as well as its readership are located throughout the Arab region, spanning from the Persian Gulf to North Africa. Zawaya was created in order to provide a much-needed platform within the cultural context of the Arab world for the cultural and alternative expression of contemporary issues in all its media forms, including the visual and plastic arts, performing arts, cinema, video, poetry and literature. Central to Zawaya’s mission is the choice of Arabic as its language.

Zawaya strives to implement this strategy based on three pillars:

  • create an alternative space for critical expression;

  • encourage an endogenous and creative transformation of the Arabic language and engender renewed discourse in Arabic which is able to express the contemporary reality of the Arab world, in all its complexity - spoken, scripted, and constructed;

  • contribute to the networking and cooperation of Arab cultural actors, writers, intellectuals, and journalists, to engage in regional dialogue and to interact across the boundaries within the Arab world that often prevent them from meeting face-to-face.

Zawaya asserts its defiance to despotism, conformity and convention; and seeks cultural, social and political renewal and pluralism. It works towards the following objectives:

  • to initiate a dialogue amongst various social actors, particularly on pressing cultural, social and political issues in Arab societies including gender relations, personal and civil liberties, democracy, nationalism, violence, freedom, globalization, and sovereignty;

  • to create an open and ongoing work-in-progress for plurality, for diversity of voice, heterogeneity of affiliation and complexity of representation as represented by the contemporary Arab world;

  • to combat barriers of prejudice and obscurity that divide societies in the Arab world;

  • to inform readers about contemporary, alternative cultural practices in the Arab world

  • to lend support and promote these experimental and innovative practices

  • to build bridges between isolated instances of alternative cultural pro­duction within the Arab world and to create channels for contact and dialogue, using language and cultural production

Zawaya is being produced and published in Lebanon in 4-color tabloid format currently comprising of 24 pages, with the aim of expanding to 32 pages. The print run is currently 10,000 copies per issue, with the aim of expanding to a circulation of 15,000.  Until the present, five issues have been published and disseminated in the Arab world and amongst Arab-speaking communities in Europe. Zawaya is distributed by publishing houses and different cultural venues, and made accessible to public libraries, cultural festivals, theatres and other institutions.

 

Target Groups

The demographic bracket of Zawaya’s readership spans from the ages 18 to 45 years, including emerging or established artists, cultural actors, curators, activ­ists, intellectuals, journalists and university students. Zawaya seeks to increase its circulation along with its promotion strategies in order to attract a wider readership amongst ‘regular’ readers within the same age bracket, so as to expand the exposure to a broader audience.

Beyond the magazine, and flowing from the networks of cooperation and exchange established by it, Zawaya implements the annual conference/workshop “Zawaya Encounters” where contributors and supporters of the magazine gather to discuss strategy and future development, and where its readers and the general public are included through public lectures, round-tables and discussions and engaging them on the above mentioned central thematic issues (gender relations, personal and civil liberties, democracy, nationalism, violence, freedom, globalization, and sovereignty).

 
 

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OTHER VOICES

Steven SeidmanStreets of Beirut: Self and the Encounter with ‘the Other’

More readings available from the hbf translation project

Other Voices

DOSSIERS

Obvious and Hidden:
Marginalized Sexual Identities in the Arab World

 

Iraqi Refugee Crisis

 

Climate Change and the Middle East

 

War in Darfur

PUBLICATIONS

Damascus: Tourists, Artists, Secret Agents

 

Bareed Mista3jil

 

New Finance for Climate Change and the Environment

 

Waiting for the Barbarians
A Tribute to Edward Said

 

Green Wars?
Conference Report

 

Cities of the South: Citizenship and Exclusion in the 21st Century